About Michael Baxandall
Art History Special Issues
1. Edition January 1999
144 Pages, Softcover
Wiley & Sons Ltd
ISBN:
978-0-631-21191-4
John Wiley & Sons
A distinguished group of art historians reflect on the work of Michael Baxandall, in terms of its importance for their own formation, its location in the development of a new art history, and its influence on the broader languages and theories of contemporary cultural theory.
1. Patterns in the Shadows: Attention in/to the Writings of Michael
Baxandall: Michael Anne Holly (University of Rochester).
2. Aspects of the Critical Reception and Intellectual History of
Baxandall's Concept of the Period Eye: Alland Langdale (University
of British Columbia).
3. Limewood, Chiromancy and Narratives of Making. Writing about
the Materials and Processes of Sculpture: Malcolm Baker (Victoria
and Albert Museum).
4. Michael Baxandall and the Shadows in Plato's Cave: Alex Potts
(University of Reading).
5. Last Words (Rilke, Wittgenstein)(Duchamp): Molly Nesbit
(Vassar University).
6. Women under the Gaze, a Renaissance Genealogy: Paolo Berdini
(Stanford University).
7. A Baxandall Bibliography: Allan Langdale (University of
California at Santa Barbara).
Baxandall: Michael Anne Holly (University of Rochester).
2. Aspects of the Critical Reception and Intellectual History of
Baxandall's Concept of the Period Eye: Alland Langdale (University
of British Columbia).
3. Limewood, Chiromancy and Narratives of Making. Writing about
the Materials and Processes of Sculpture: Malcolm Baker (Victoria
and Albert Museum).
4. Michael Baxandall and the Shadows in Plato's Cave: Alex Potts
(University of Reading).
5. Last Words (Rilke, Wittgenstein)(Duchamp): Molly Nesbit
(Vassar University).
6. Women under the Gaze, a Renaissance Genealogy: Paolo Berdini
(Stanford University).
7. A Baxandall Bibliography: Allan Langdale (University of
California at Santa Barbara).
Adrian Rifkin is Professor of Fine Art at the University of Leeds.
