John Wiley & Sons The Art of Understanding Art Cover The Art of Understanding Art reveals to readers new and meaningful ways of developing personal ideas.. Product #: 978-0-470-65834-5 Regular price: $45.70 $45.70 In Stock

The Art of Understanding Art

A Behind the Scenes Story

Costache, Irina D.

Cover

1. Edition March 2012
304 Pages, Softcover
Wiley & Sons Ltd

ISBN: 978-0-470-65834-5
John Wiley & Sons

Short Description

The Art of Understanding Art reveals to readers new and meaningful ways of developing personal ideas and opinions about art and how to express them with confidence. A truly innovative book that presents and explains "behind the scene" activities, methods and tools involved in the creation, dissemination, analysis and interpretation of art.

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The Art of Understanding Art reveals to students and other readers new and meaningful ways of developing personal ideas and opinions about art and how to express them with confidence.
* Offers an inquiry--unique among introductory art texts--into the learning process of understanding and appreciating art
* Examines the multiple issues and processes essential to making, analyzing and evaluating art
* Uses cross-cultural examples to help readers develop comprehensive, yet personal, ways of looking at and thinking about art
* Includes an annotated glossary of the 'Art World', institutions and individuals that play a role in defining art as well as diagrams, textboxes callouts and other visual elements to highlight information and enhance learning
* Richly illustrated with over 40 images
* Suggests innovative class assignments and projects useful for developing lesson plans, and offers an online companion site for additional illustrations and information

Acknowledgments xiii

Why Should Art Matter to You? A Message to Art Beginners xv

Introduction: What Is Art? xvi

Navigating the Book: A User's Guide xxi

Why Is Art Made? The Purposes of Art: A Brief Overview from A to Z xxiv

The Anatomy of a Work of Art xxxii

PART ONE MAKING ART 1

1 Artists and Patrons 3

Artists and Creators 3

The Creative Process: Inspiration and Influences 14

Patronage 17

2 Environment, Materials, and Other Resources 22

Environment 23

Materials, Tools, and Technology 27

Other Resources: Knowledge and Information 36

3 Context 38

Cultural Context 39

Historical, Political, and Religious Context 43

Societal Context 48

Conclusion to Part One 53

PART TWO DISSEMINATING ART 55

4 The Dissemination of Original Art 57

Institutions 57

Beyond Institutional Walls 71

Art and Business 73

5 The Dissemination of Art through Reproductions, and Other Issues 77

Publications, Presentations, and Lectures 78

The Mass Media 80

Today's Art World 86

Conclusion to Part Two 90

PART THREE ANALYZING ART 91

6 Visual Resources Used to Analyze Art 93

The Work of Art 94

Visual Documentation and Research 103

7 Textual and Other Resources Used To Analyze Art 109

Primary Textual Sources 110

Secondary Textual Sources 114

Additional Resources for Research 117

Comparisons 119

8 A Critical Examination of Art Classification 126

Reflections on Art Classification 126

Chronology and Artistic Periods 130

Media 132

Fine Art/High Art 132

Graphic Arts 137

"Minor Arts" 137

Architecture 138

Other Categories 139

Conclusion to Part Three 142

PART FOUR INTERPRETING ART 143

9 Interpreting Art: Criteria and Values 145

Preconceived Ideas about Art 146

Modern Art and the Audience 148

Artistic Values and Art Appreciation 150

Modernism 152

Postmodernism 155

Interpreting Art: Getting Started 157

Looking at and Interpreting Art 158

10 Methodologies of Art 162

Introduction to Art Methodologies 163

Art Interpretation: Case Study 173

Summary 179

Notes 179

Conclusion 180

Appendix 1 The Art World 182

Appendix 2 Creative Assignments and Writing Projects 189

Appendix 3 Glossary 194

Appendix 4 "Tools of the Trade" Diagrams: Form and

Content (1-5) and Art Media (6-8) 210

List of Figures and Color Plates 218

Bibliography 220

Index 227
Irina D. Costache, Ph.D., is an art historian and Professor of Art History at California State University Channel Islands. Her innovative teaching methodologies have been recognized with awards and grants. She has curated several exhibitions, including Postmodern Calligraphies, Nature and/or Technology and Line and Color. Her presentations and publications include This is Not a Painting: Art History and the Internet, Visual Culture/ Virtual Art, Italian Futurism and the Decorative Arts, and Futurist Film: an Incomplete Project.

I. D. Costache, California State University, Camarillo, USA