John Wiley & Sons Protoarchitecture Cover In the last decade, the interface of CAD (computer-aided drawing) and CAM (computer-aided manufactur.. Product #: 978-0-470-51947-9 Regular price: $33.55 $33.55 In Stock

Protoarchitecture

Analogue and Digital Hybrids

Sheil, Bob (Editor)

Architectural Design

Cover

1. Edition July 2008
136 Pages, Softcover
Monograph

ISBN: 978-0-470-51947-9
John Wiley & Sons

Short Description

In the last decade, the interface of CAD (computer-aided drawing) and CAM (computer-aided manufacture) has opened up a whole new range of possibilities for architects. Structures, prototypes, and three-dimensional objects can now be crafted, assembled, and installed as a direct consequence of digital drawings and the information/instructions embedded within them. Protoarchitecture explores the innovative work being done when moving from the world of analogue to digital, which is now responsible for invigorating new and worn tools and redefining the scope and expertise of those who use them. Including the work of an international group of designers from Belgium, Canada, Germany, Japan, the Netherlands, UK, and U.S., this exciting book gives architects and students a spectacular look at what can be imagined and built today.

The illusive and uncertain world of translating ideas into matter is a negotiation between the ideal and the real and a central preoccupation of architectural production. By invading the toolbox of digital fabrication, design has transgressed into protocols of manufacturing previously the domain of other disciplines and skills sets. Craft, assembly and installation, once the realm of trades, are qualities that are now dependent upon design information and its status as an instruction to make. The ensuing loop between the physical and tactile, the imaginary and speculative, has defined a new expectation in making architecture as a construct that is part real, part ideal.

With contributions from Lebbeus Woods, Evan Douglis, Theo Jansen, Shin Egashira and many more, Protoarchitecture presents an explicitly diverse collection of works from leading and emerging practitioners, educators, researchers and visionaries from all corners of this innovative field.

Introduction

Protoarchitecture: Between the Analogue and the Digital

Bob Sheil

The Wonder of Trivial Machines

Stephen Gage

Strandbeests

Theo Jansen

Drawn into Space: Zaha Hadid

Lebbeus Woods

Convoluted Flesh: A Synthetic Approach to Analogue and Digital Architecture

Marjan Colletti and Marcos Cruz

The Memory of an Elephant

Bob Sheil

Thinking with Matter

Mark West

Prosthetic Mythologies

Kate Davies and Emmanuel Vercruysse

Flora_Flex: In Search of Synthetic Immortality

Evan Douglis

Screens

Niall McLaughlin

Out of the Phase: Making an Approach to Architecture and Landscape

Mark Smout and Laura Allen

Objects after Image

Shin Egashira

Robotic Membranes: Exploring a Textile Architecture of Behaviour

Mette Ramsgard Thomsen

Mapping the Invisible Landscape: An Exercise in Spatially Choreographed Sound

Paul Bavister

Interior Eye

Well-MADE New York City Apartments

Jayne Merkel

Building Profile

Shoreditch Roof Apartment

David Littlefield

Practice Profile

Jamie Fobert Architects: Inside Out

Howard Watson

Userscape

Inhabiting the Body and the Spaces of Interaction

Valentina Croci

Unit Factor

Can Architectural Design Be Research? Fabricating Complexity

Michael Weinstock

Spiller's Bits

Radical Experimentation As Research: AVATAR

Neil Spiller

Yeang's Eco-Files

Anthropoidal Energy Production:

Generating and Harvesting Electricity From Human Power

Ken Yeang

McLean's Nuggets

Will McLean
Bob Sheil is an architect and a senior lecturer at the Bartlett School of Architecture, UCL. He has worked as a designer and maker in architecture, furniture, exhibition and web design. Following 10 years in practice, his teaching career began in the Bartlett workshop in 1995 where his key interest in, and curiosity about, the relationship between architecture and making evolved from practice to research. He is a founder member of the workshop-based practice sixteen*(makers) with Nick Callicott, Phil Ayres and Chris Leung. Since 2004 he has been programme director of the Bartlett's Graduate Diploma in Architecture, and in 2005 he guest-edited AD Design through Making.

B. Sheil, Bartlett School of Architecture, UK